Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” She seldom discussed the war with her father. At the beginning, he had dreamed with Greyson of a short and glorious campaign that should weld all classes together, and after which we should forgive our enemies and shape with them a better world. But as the months went by, he appeared to grow indifferent; and Joan, who got about twelve hours a day of it outside, welcomed other subjects.!

Mary put the indigestible-looking pasties into the oven, and almost banged the door. Miss Ensor proceeded to lay the table. “How many, do you think?” she asked. Mary was doubtful. She hoped that, it being Christmas Day, they would have somewhere better to go. “Hulloa. You’ve got ’em on,” she said.

Flossie had joined every society she could hear of that was working for the League of Nations. Her hope was that it would get itself established before young Frank grew up. Joan could not say. So much depended upon the general state of health. There was the case of her own father. Of course she would always be subject to attacks. But this one would have warned her to be careful. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.